Between Tonality and Atonality: Structural Polarities in Arnold Schönberg ’s Op. 19, No. 4
| dc.contributor.author | Köksal İncirlioğlu, Füsun | |
| dc.date.accessioned | 2026-04-30T11:58:47Z | |
| dc.date.available | 2026-04-30T11:58:47Z | |
| dc.date.issued | 2025-12-31 | |
| dc.identifier.doi | 10.51576/ymd.1792227 | |
| dc.identifier.issn | 2792-0178 | |
| dc.identifier.scopus | 2-s2.0-105029242282 | |
| dc.identifier.uri | https://hdl.handle.net/123456789/15409 | |
| dc.identifier.uri | https://doi.org/10.51576/ymd.1792227 | |
| dc.language.iso | en | |
| dc.publisher | Tolga Karaca | |
| dc.relation.ispartof | Yegah Musicology Journal | |
| dc.rights | info:eu-repo/semantics/openAccess | |
| dc.subject | A. Schönberg | |
| dc.subject | Tonality | |
| dc.subject | Set Theory | |
| dc.subject | Analysis | |
| dc.subject | Form | |
| dc.subject | Music Theory | |
| dc.title | Between Tonality and Atonality: Structural Polarities in Arnold Schönberg ’s Op. 19, No. 4 | en_US |
| dc.title | [TONALİTE VE ATONALİTE ARASINDA: ARNOLD SCHÖNBERG’ İN OP. 19, 4 NUMARALI ESERİNDE YAPISAL KARŞITLIKLAR] | tr |
| dc.type | Article | |
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| gdc.description.department | Yaşar University | |
| gdc.description.departmenttemp | [Köksal İncirlioğlu F.] Yaşar Üniversitesi, Sanat ve Tasarım Fakültesi, Müzik Bölümü, Turkey | |
| gdc.description.endpage | 2956 | |
| gdc.description.issue | 4 | |
| gdc.description.publicationcategory | Makale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı | |
| gdc.description.startpage | 2937 | |
| gdc.description.volume | 8 | |
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