Malaysia’s dusun tindal pottery
| dc.contributor.author | Lale Dilbas | |
| dc.contributor.author | Funda Atlin | |
| dc.contributor.author | Atlin, Funda | |
| dc.contributor.author | Dilbas, Lale | |
| dc.date.accessioned | 2025-10-06T17:51:35Z | |
| dc.date.issued | 2018 | |
| dc.description.abstract | [No abstract available] | |
| dc.description.sponsorship | Malaysian Handicraft Development Corporation | |
| dc.description.sponsorship | When the existing examples are examined, and the oldest archaeological findings in the region date to the 3200 BC, it can be concluded that the tradition Kantiam has learned from her mother, and her mother has learned from her mother, has been continuing for thousands of years (Kelly, 2017, pg. 400). Kantiam has taught her profession to her daughter Samsiah Saupi. Despite the fact that today — –when compared to the past, — this production is more of a preference rather than a need. It has been supported by the Malaysian Handicraft Development Corporation, recognizing the cultural importance this ancient craft carries, not long before it has been entirely abandoned. As financial and logistical support is given to many craftspeople throughout Malaysia, the monthly salary paid to Kantiam to maintain her production without having to make any changes, draws attention to the priority the government gives to the continuity of tradition. The documentation of Kantiam Binti Setam’s pottery production process within the scope of the project The Documentation and Analysis of Traditional Malaysian Pottery is technically different to many other production methods in terms of the production being entirely hand-made, the authenticity of the tools and the way they are used. n | |
| dc.identifier.issn | 10351841 | |
| dc.identifier.issn | 1035-1841 | |
| dc.identifier.scopus | 2-s2.0-85060111766 | |
| dc.identifier.uri | https://www.scopus.com/inward/record.uri?eid=2-s2.0-85060111766&partnerID=40&md5=75616f6a3ea1d35b2823da2e48aa831e | |
| dc.identifier.uri | https://gcris.yasar.edu.tr/handle/123456789/9524 | |
| dc.language.iso | English | |
| dc.publisher | Mansfield Ceramics | |
| dc.relation.ispartof | Ceramics - Art and Perception | |
| dc.rights | info:eu-repo/semantics/closedAccess | |
| dc.source | Ceramics - Art and Perception | |
| dc.title | Malaysia’s dusun tindal pottery | |
| dc.type | Note | |
| dspace.entity.type | Publication | |
| gdc.author.scopusid | 57205453103 | |
| gdc.author.scopusid | 57205453379 | |
| gdc.coar.type | text::review::commentary | |
| gdc.description.department | ||
| gdc.description.departmenttemp | [Dilbas L.] Faculty of Art and Design, Yasar University, Izmir, Turkey; [Atlin F.] Ordu University, Turkey | |
| gdc.description.endpage | 65 | |
| gdc.description.issue | 4 | |
| gdc.description.startpage | 60 | |
| gdc.description.volume | 28 | |
| gdc.index.type | Scopus | |
| gdc.scopus.citedcount | 0 | |
| oaire.citation.endPage | 65 | |
| oaire.citation.startPage | 60 | |
| person.identifier.scopus-author-id | Dilbas- Lale (57205453379), Atlin- Funda (57205453103) | |
| project.funder.name | When the existing examples are examined and the oldest archaeological findings in the region date to the 3200 BC it can be concluded that the tradition Kantiam has learned from her mother and her mother has learned from her mother has been continuing for thousands of years (Kelly 2017 pg. 400). Kantiam has taught her profession to her daughter Samsiah Saupi. Despite the fact that today — –when compared to the past — this production is more of a preference rather than a need. It has been supported by the Malaysian Handicraft Development Corporation recognizing the cultural importance this ancient craft carries not long before it has been entirely abandoned. As financial and logistical support is given to many craftspeople throughout Malaysia the monthly salary paid to Kantiam to maintain her production without having to make any changes draws attention to the priority the government gives to the continuity of tradition. The documentation of Kantiam Binti Setam’s pottery production process within the scope of the project The Documentation and Analysis of Traditional Malaysian Pottery is technically different to many other production methods in terms of the production being entirely hand-made the authenticity of the tools and the way they are used. n | |
| publicationissue.issueNumber | 4 | |
| publicationvolume.volumeNumber | 28 | |
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