On the edge of alienation: La Vis
| dc.contributor.author | Burcu Dabak Ozdemir | |
| dc.date | JAN | |
| dc.date.accessioned | 2025-10-06T16:20:14Z | |
| dc.date.issued | 2021 | |
| dc.description.abstract | This analysis will show that Metallika is designed as an absurd and exaggerated form of a mechanical industrial society in which different types of alienation are organized. | |
| dc.identifier.doi | 10.1386/sfs_00027_1 | |
| dc.identifier.issn | 2042-7824 | |
| dc.identifier.issn | 2042-7832 | |
| dc.identifier.uri | http://dx.doi.org/10.1386/sfs_00027_1 | |
| dc.identifier.uri | https://gcris.yasar.edu.tr/handle/123456789/6254 | |
| dc.language.iso | English | |
| dc.publisher | INTELLECT LTD | |
| dc.relation.ispartof | Short Film Studies | |
| dc.source | SHORT FILM STUDIES | |
| dc.subject | alienation, products, labour, mechanical, industrial society, absurd | |
| dc.title | On the edge of alienation: La Vis | |
| dc.type | Article | |
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| gdc.description.endpage | 40 | |
| gdc.description.startpage | 37 | |
| gdc.description.volume | 11 | |
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| gdc.virtual.author | Dabak Özdemir, Burcu | |
| oaire.citation.endPage | 44 | |
| oaire.citation.startPage | 37 | |
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| publicationvolume.volumeNumber | 11 | |
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