The Devil in the Mirror: Projections of Desire from Folk Tales to Witcher 3: The Wild Hunt

dc.contributor.author Can Ozgu
dc.date 2024 MAY 15
dc.date.accessioned 2025-10-06T16:19:42Z
dc.date.issued 2024
dc.description.abstract Dealing with the Devil is one of most prominent cultural motifs across the history of recorded folk tales. From ancient folk tales to contemporary cultural products the Devil has appeared as an illicitly desirable being. The focal point of dealing with the Devil is that it is instigated by a pre-existent desire to exceed one's capacity determined by their temporal circumstances. In the Christian narrative tradition a deal with the devil occurs over a Manichean undercurrent and ends in the condemnation of the participant or in the devil's humiliation. Pantheistic traditions discombobulate this contract by virtue of the nonexistence of Manichean binaries. This study aims to analyze the prevalence of desire in the deal with the devil motif throughout various tales and how the video game Witcher 3: The Wild Hunt (2015) complicates notions that are often taken for granted in Christian folk tales through its core narrative design.
dc.identifier.doi 10.1177/15554120241255417
dc.identifier.issn 1555-4120
dc.identifier.issn 1555-4139
dc.identifier.uri http://dx.doi.org/10.1177/15554120241255417
dc.identifier.uri https://gcris.yasar.edu.tr/handle/123456789/5971
dc.language.iso English
dc.publisher SAGE PUBLICATIONS INC
dc.relation.ispartof Games and Culture
dc.source GAMES AND CULTURE
dc.subject Cultural studies, devil contract, video games, folk tales, Witcher 3: The Wild Hunt, Pan Twardowski
dc.title The Devil in the Mirror: Projections of Desire from Folk Tales to Witcher 3: The Wild Hunt
dc.type Article
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gdc.oaire.sciencefields 0301 basic medicine
gdc.oaire.sciencefields 0303 health sciences
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