Between Tonality and Atonality: Structural Polarities in Arnold Schönberg ’s Op. 19, No. 4

Köksal İncirlioğlu, Füsun2026-04-302026-04-302025-12-312792-017810.51576/ymd.17922272-s2.0-105029242282https://hdl.handle.net/123456789/15409https://doi.org/10.51576/ymd.1792227eninfo:eu-repo/semantics/openAccessA. SchönbergTonalitySet TheoryAnalysisFormMusic TheoryBetween Tonality and Atonality: Structural Polarities in Arnold Schönberg ’s Op. 19, No. 4[TONALİTE VE ATONALİTE ARASINDA: ARNOLD SCHÖNBERG’ İN OP. 19, 4 NUMARALI ESERİNDE YAPISAL KARŞITLIKLAR]Article