Kivanc KilincBurkay PasinGuzden VarinliogluKılınç, KıvançVarinlioğlu, GüzdenPasin, Burkay2025-10-0620241206-33121552-830810.1177/120633122110402002-s2.0-85115019513http://dx.doi.org/10.1177/12063312211040200https://gcris.yasar.edu.tr/handle/123456789/6977https://doi.org/10.1177/12063312211040200Daragac is a former industrial lower-income neighborhood in Turkey's third-largest city Izmir. In 2015 several artists settled in the area and started a nonprofit initiative called the Daragac Collective (DC). DC has since organized numerous art events and exhibitions receiving considerable interest and publicity. Yet to date the changes in Daragac's material landscapes have been subtle and the area remains ungentrified unlike similar examples in Turkey. This article argues that the collaborative art practice spearheaded by DC played a major role in the preservation of the neighborhood's urban texture. The artists became neighbors with the residents benefited from the expertise of mechanics and drew inspiration from the site while the local community has contributed to the production exhibition and appreciation of artworks. Thus art has become a tool for sociability and a catalyst for interpersonal cultural and cross-class exchanges which could offer an alternative route to art-led urban change in Turkey.Englishinfo:eu-repo/semantics/closedAccessart-led urban transformation, collaborative art practices, neighborhood, site-specificity, Daragac Collective (DC), IzmirGENTRIFICATION, ARTISTSCollaborative Art PracticesArt-Led Urban TransformationSite-specificityNeighborhoodIzmirDarağaç Collective (DC)Article