Dilek KayaKaya, Dilek2025-10-0620221367-54941460-355110.1177/136754942110296572-s2.0-85112816430http://dx.doi.org/10.1177/13675494211029657https://gcris.yasar.edu.tr/handle/123456789/5831https://doi.org/10.1177/13675494211029657This article focuses on cinemagoing in Izmir (the third largest city in Turkey) in the 1960s and the 1970s when the city developed a vibrant cinema culture with its numerous winter and summer cinemas. It attempts to undo the problematic conceptions of homogeneous audiences and cinemagoing experiences by focusing on how gender shaped and constructed the experiences of middle-class audiences. The primary source material for the article is qualitative data obtained from 62 oral history interviews in addition to the contents of local newspapers and film industry magazines. The article argues that although for women cinemagoing was a very meaningful event in itself it was not a wholly free and easily pleasurable activity. It also suggests that women like men went to the cinema to see a variety of films more than they went to socialize and their choice of films was not limited to supposedly women's genres. Overall the article attempts to break with the nostalgic tone in popular and academic discussions of cinemagoing in Izmir and other cities in Turkey. It shows that cinema in Izmir and possibly elsewhere in Turkey was not just a forum of collective entertainment and pleasure but also a locus of struggle.Englishinfo:eu-repo/semantics/closedAccessCinemagoing, female struggle, gender, new cinema history, TurkeyREFLECTIONS, EXHIBITION, FILMSCinemagoingGenderFemale StruggleTurkeyNew Cinema HistoryArticle