TR-Dizin İndeksli Yayınlar Koleksiyonu
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Article Citation - WoS: 33Citation - Scopus: 36Antecedents to supply chain innovation(EMERALD GROUP PUBLISHING LTD, 2020-02-10) Fatma Nur Karaman Kabadurmus; Kabadurmus, Ozgur; Karaman Kabadurmus, Fatma Nur; Kabadurmuş, Fatma Nur KaramanPurpose The purpose of this study is to examine organizational and environmental (competition capital scarcity and organization of labor) factors that affect firms' innovation activities within the supply chain. Design/methodology/approach This study empirically examines the factors that affect firms' innovation activities using firm-level data from the last round of Business Environment Enterprise Performance Surveys (BEEPS). The analysis covers major supply chain functions: production delivery and support systems. Findings The study shows that drivers of innovation vary with the type of innovation activity, as such innovation efforts across supply chain functions should prioritize strategic resources that will create competitive advantages. Our results also reveal that sustainability efforts in the Eastern Europe and Central Asia (EECA) region should prioritize labor market reforms over capital market reforms. Originality/value Current research on innovation and supply chain issues does not explicitly analyze innovations that occur in different sustainable supply chain functions and empirical studies that focus on the determinants of innovations in the supply chain network are very limited. The data used in this study cover 30 economies in EECA many of which are low- and middle-income countries and thus contribute to the implementation of sustainable practices in developing countries.Article Piranesi’s arguments in the Carceri(Istanbul Teknik Universitesi Faculty of Architecture itudergisi@itu.edu.tr, 2018) Fatma İpek Ek; Ek, Fatma Ipek; Fatma İpek, E.K.Giovanni Battista Piranesi (1720-1778) is an important Italian architect with his seminal theses in the debates on the ‘origins of architecture’ and ‘aesthetics’. He is numbered foremost among the founders of modern archaeology. But Piranesi was misinterpreted both in his day and posthumously. One of the most important vectors of approach yielding misinterpretation of Piranesi derived from the phenomenon comprising the early nineteenth-century Romanticist reception of Piranesi’s character and work. Therefore the present study firstly demonstrates that such observations derive not from an investigation of the work itself nor from an appraisal of the historical context but owe to the long-standing view in western culture that identifies the creator’s ethos with the work and interprets the work so as to cohere with that pre-constructed ethos. Thus the paper aims at offering a new perspective to be adopted while examining Piranesi’s works. This perspective lies within the very scope of understanding the reasons of the misinterpretations the post-Romanticist perception of the ‘artist’ and Piranesi’s main arguments on the aesthetics origins of architecture and law. © 2020 Elsevier B.V. All rights reserved.Article Piranesi’s challenge: Rethinking the origins of European architecture(Istanbul Teknik Universitesi Faculty of Architecture, 2024-11-04) E. K. Fatma İpekItalian architect archaeologist and scholar Giovanni Battista Piranesi was a prolific Enlightenment figure who produced an elaborate series of drawings and etchings to support his following argument on the origins of European architecture: Roman architecture derived not from the Greek but from the Etruscan which according to him derived from Egypt. Based on his meticulous archaeological examinations in excavations he developed a history of architecture that was not based on the East-West division and the separation of the continents. However Johann Joachim Winckelmann’s approach rooting the origin of Roman architecture in the Greek came to dominate the standard history of architecture and Piranesi was misinterpreted both in his day and posthumously. The posthumous codification of architectural history excluded Piranesi from the standardized progress of architectural history in the West and resulted in his identification by idiosyncrasy. Therefore this work is an attempt to restore his argument to architectural history. © 2025 Elsevier B.V. All rights reserved.Article Spatial productions of a legendary holiday village: Club Med Foça(Istanbul Teknik Universitesi Faculty of Architecture, 2023-04-28) Gülsüm Baydar; Meltem Ö. Gürel; Baydar, Gülsüm; Gürel, Meltem Ö.At the time of its appearance on the outskirts of the infrastructurally underdeveloped and culturally conservative village of Foça in 1966 Club Med was already a widely known international holiday village chain promoted as an antidote to civilization. The term legend was commonly attached to it at an international scale to refer both to its stunning localities and the atmosphere of abundance offered within its guarded boundaries. Arguably a sense of Oriental exoticism was also a source of attraction to the Western patrons of Club Med Foça. This article is based on the hypothesis that Club Med had a significant impact on the cultural environment of Foça which exemplified the porousness of spatial boundaries. Hence our aim is to surface the spatio-cultural role of the Club for both Foça residents and the Turkish population at large. Our findings reveal that for Foça residents the Club was both an economic resource and an agent of significant socio-cultural transformation. For the Turkish population it was publicized as a microcosm of Europe and offered a glimpse of a highly desirable modern culture. Generating a small town bourgeoisie of sorts in Foça Club Med introduced unprecedented forms of spaces pleasures and desires. Engaging with archival research on-site spatial analysis and oral histories we explore the mutual production of spatial and cultural boundaries in the historical context of 1960s and 70s Foça vis-à-vis Club Med. © 2023 Elsevier B.V. All rights reserved.Article Citation - Scopus: 5Turkey’s modern housing heritage: Apartment buildings and interiors in İzmir Karşıyaka (1965-1980)(Istanbul Teknik Universitesi, Faculty of Architecture, 2022) Gizem GÜLER NAKIP; Gülnur BALLİCE; Eda PAYKOÇ ÖZÇELİK; İrem Deniz AKÇAM; Nakıp, Gizem Güler; Özçelik, Eda Paykoç; Güler Nakip, Gizem; Paykoç Özçelik, Eda; Ballice, Gülnur; Akçam, İrem DenizHousing architecture clearly reveals lifestyle social/cultural/political/economic changes and architectural approaches. The changing needs of society negligible conservation awareness and interventions in housing units due to urban renewal policies negatively affect historical continuity and permanence. It is therefore important for conducting multi-layered studies on the analysis and documentation of housing architecture and interiors which are representative of the period. The aim of this paper is interpreting modern architecture through housing heritage and analysing the architectural features residential life proposals and modernist design approaches of selected interior spaces. In this context Karşıyaka İzmir which has a qualified housing stock on the subject and is in danger of losing its current housing stock in a rapid transformation has been determined as a case area. Within the scope of this paper the modernist architectural features and interior practices of four apartment buildings built between 1965-1980 in Donanmacı District have been revealed. The selected time range was identified to include periods that are important for Turkey’s housing architecture - the periods of rapid development and modernization. The method includes literature review sample identification photography shooting archive scanning transferring data to digital media and data analysis. The analysis which contains the facades and common areas of the apartments and plan schemes and interior features of the flats has enabled the interpretation of design culture and the revival of apartment buildings as modern housing heritage values. Written and visual documentation of the apartments and interiors made the effects of the modernization process more visible and permanent.

