Cavallini, Roberto

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Profile URL
https://gcris.yasar.edu.tr/handle/123456789/12038
Name Variants
Job Title
Dr.Öğr.Üyesi
Email Address
Main Affiliation
01.01.04.03. Radyo, Televizyon ve Sinema Bölümü
Status
Former Staff
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ORCID ID
0000-0002-2811-7011
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Turkish CoHE Profile ID
Google Scholar ID
WoS Researcher ID
FZZ-2556-2022

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Documents

11

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464

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Scholarly Output

2

Articles

1

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WoS Citation Count

2

Scopus Citation Count

1

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0

WoS Citations per Publication

1.00

Scopus Citations per Publication

0.50

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0

Supervised Theses

0

JournalCount
Studies in European Cinema1
Verse, Voice, and Vision: Poetry and the Cinema1
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    Article
    Citation - WoS: 2
    Citation - Scopus: 1
    Heretical anachronisms: framing temporality and tradition in Pier Paolo Pasolini's essay films
    (ROUTLEDGE JOURNALS TAYLOR & FRANCIS LTD, 2016) Roberto Cavallini; Cavallini, Roberto
    Pier Paolo Pasolini's ventures into the essay film form provide in films such as La Rabbia (The Rage 1963) and Appunti per un'Orestiade africana (Notes towards an African Orestes 1970) an interrogation on the experience of temporality and the ways in which it redefines notions of cultural memory and tradition. The aim of this article is to theorize within Pasolini's essayistic practice a conception of temporality based on an expanded notion of writing in the context of the essay film's peculiar position in the history of film cultures. Looking at the ways in which tradition as intertexuality is constructed in La Rabbia and how cultural mediation is transformed into poetic necessity in Appunti per un'Orestiade africana I argue that Pasolini's essayistic films should be considered as reflections on the way in which we intellectually and historically experience time in our modern world.