Önal Özmalatyalilar, Begüm Sena

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https://gcris.yasar.edu.tr/handle/123456789/12894
Name Variants
Job Title
Araş.Gör.
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Main Affiliation
01.01.10.01. İç Mimarlık ve Çevre Tasarımı Bölümü
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Current Staff
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0000-0002-7090-5062
Scopus Author ID
58925058000
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WoS Researcher ID
KLB-1991-2024
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begum.sena.onal.ozmalatyalilar.jpg (7.97 KB)

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  • Thumbnail Image
    Article
    Rethinking privacy and publicity: Reading the spatial reflections of gender through Virginia Woolf’s Mrs. Dalloway
    (2021) Zeynep Tuna Ultav; BEGÜM SENA ÖNAL; Önal, Begüm Sena; Ultav, Zeynep Tuna
    This article deciphers socio-spatial characteristics of the London scene inthe early twentieth century. Analyzing excerpts from Mrs. Dalloway(1925) a novel written by one of the prominent modernist and feministwriters Virginia Woolf (1882-1941) the literary space analysis aims toascertain how the narrative elucidates the relation between assignedgender roles and spatial practices of the protagonist Clarissa Dalloway.Revealing the abundance of socio-spatial information hidden in literaryfiction the three-partite spatial analysis that examines Mrs. Dalloway’sliving environment within the contexts of private (domestic) space publicspace and ‘internal’ space highlights new layers of textual meaning. Thus the study exposes the spatial hints of Woolf that guide readers tounderstand the confined social position of a high society lady. Touchingupon controversial issues that nurtured the private-public dichotomy thestudy broadens the discussion of gendered space discussing Woolfianspace as a challenge to patriarchal codes. Excerpts examined throughoutthe article reveal that the author's critique on unequal power relationsbetween men and women reveals itself in spatial portrayals in the novel.Therefore scrutinizing Mrs. Dalloway allows rediscovering reinvestigating and rethinking privacy and publicity in the early twentiethcentury through modern fiction.
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    Article
    A Spatial Reflection of Social Transformation: Taksim Municipal Gazino 1939
    (ISTANBUL UNIV RESEARCH INST TURKOLOGY DEPT ART HISTORY, 2024) Begum Sena Onal Ozmalatyalilar; Meltem O. Gurel; Gurel, Meltem O.; Önal, Begüm Sena; Ozmalatyalilar, Begum Sena Onal; Gürel, Havva Meltem; Önal Özmalatyalilar, Begüm Sena
    Taksim Municipal Gazino which hosted its visitors inside the Inonu Promenade between 1939 and 1967 was one of the leading examples of gazinos (an entertainment venue) built with the support of the state in the early republican era in Turkey. Designed by the municipality architect Ruknettin Guney within the scope of French city planner Henri Prost's Istanbul Master Plan the edifice was a quintessential example of modern architecture that epitomized the state's Westernization ideology. This article examines the gazino practice as a spatial reflection of social transformation by presenting a historical and spatial reading of the Taksim Municipal Gazino. The study analyzes the gazino structure as a power mechanism that produces secular identities by focusing on the dialectic between the spaces in the building and the experiences of its patrons. The analysis of architectural drawings photographs and literary works associated with the building on the one hand reveals how the architect operating as a cultural leader utilized architectural creation to present the Western lifestyle to society. On the other hand it indicates that Taksim Municipal Gazino served as a platform for individuals to display their modernity. Moreover the study propounds that the building contributed to the modernization process of the newly established nation-state and it has served as a spatial tool that notably strengthened the position of female regulars in the public sphere.