Baydar, Gülsüm

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https://gcris.yasar.edu.tr/handle/123456789/12895
Name Variants
Job Title
Prof.Dr.
Email Address
Main Affiliation
01.01.10.02. Mimarlık Bölümü
Status
Current Staff
Website
ORCID ID
0000-0003-0309-9926
Scopus Author ID
6507331506
Turkish CoHE Profile ID
Google Scholar ID
WoS Researcher ID
DVW-9501-2022
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gulsum.baydar.jpg (7.38 KB)

Sustainable Development Goals

NO POVERTY1
NO POVERTY
0
Research Products
ZERO HUNGER2
ZERO HUNGER
0
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GOOD HEALTH AND WELL-BEING3
GOOD HEALTH AND WELL-BEING
0
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QUALITY EDUCATION4
QUALITY EDUCATION
0
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GENDER EQUALITY5
GENDER EQUALITY
0
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CLEAN WATER AND SANITATION6
CLEAN WATER AND SANITATION
0
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AFFORDABLE AND CLEAN ENERGY7
AFFORDABLE AND CLEAN ENERGY
0
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DECENT WORK AND ECONOMIC GROWTH8
DECENT WORK AND ECONOMIC GROWTH
0
Research Products
INDUSTRY, INNOVATION AND INFRASTRUCTURE9
INDUSTRY, INNOVATION AND INFRASTRUCTURE
0
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REDUCED INEQUALITIES10
REDUCED INEQUALITIES
1
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SUSTAINABLE CITIES AND COMMUNITIES11
SUSTAINABLE CITIES AND COMMUNITIES
3
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RESPONSIBLE CONSUMPTION AND PRODUCTION12
RESPONSIBLE CONSUMPTION AND PRODUCTION
0
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CLIMATE ACTION13
CLIMATE ACTION
0
Research Products
LIFE BELOW WATER14
LIFE BELOW WATER
0
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LIFE ON LAND15
LIFE ON LAND
0
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PEACE, JUSTICE AND STRONG INSTITUTIONS16
PEACE, JUSTICE AND STRONG INSTITUTIONS
0
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PARTNERSHIPS FOR THE GOALS17
PARTNERSHIPS FOR THE GOALS
0
Research Products
Documents

24

Citations

259

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Documents

16

Citations

88

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Scholarly Output

14

Articles

8

Views / Downloads

0/0

Supervised MSc Theses

6

Supervised PhD Theses

0

WoS Citation Count

13

Scopus Citation Count

18

Patents

0

Projects

1

WoS Citations per Publication

0.93

Scopus Citations per Publication

1.29

Open Access Source

2

Supervised Theses

6

JournalCount
Architecture and Culture1
City1
Digital Scholarship in the Humanities1
International Journal of Islamic Architecture1
ITU Press, Press of the Istanbul Technical University1
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Now showing 1 - 10 of 14
  • Thumbnail Image
    Article
    Citation - WoS: 1
    Citation - Scopus: 3
    BEDROOMS IN EXCESS FEMINIST STRATEGIES USED BY TRACEY EMIN AND SEMIHA BERKSOY
    (OLD CITY PUBLISHING INC, 2012) Gulsum Baydar; Baydar, Gulsum
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    Master Thesis
    İzmir'in Manhattan'ı? Folkart Towers ve kentsel dönüşüm
    (2017) Karakız, Cansu; Baydar, Gülsüm
    2006'dan itibaren Bayraklı ilçesinin kentsel dönüşümü yerel gazeteler tarafından bölgenin İzmir'in 'Manhattan'ı olacağı şeklinde duyurulmaktadır. Onuncu yılına ulaşan kentsel dönüşüm süreci güncel olarak çok katlı yapıların hızlı inşaatları ile devam etmektedir. 2014 yılında inşası tamamlanan Folkart Towers, özellikle son iki yıl içerisinde hızlandırılan sürecin öncüsü durumundadır. Farklı ölçeğiyle civardaki düşük profilli kent dokusundan ayrılır ve şehir silüetinde yerini alır. Reklamlarında İzmir'in yeni sembolü olarak tanıtılır ve film ve fotoğraflardaki güncel şehir temsillerinde de boy gösterir. Bu tez bölgedeki yeniden yapılanmayı Folkart Towers'a odaklanarak inceler ve sunulan imgelerle bölgedeki gündelik hayat pratiklerinin çelişkilerini ortaya çıkarmayı hedefler.
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    Article
    The Pit of Shame: Mobilizing affect in Basmane Izmir
    (Routledge, 2021) Gülsüm Baydar; Selin Güngör; Güngör, Selin; Baydar, Gülsüm
    This article examines the complicated relationship between affect and power in the production of urban space. Focusing on a valuable site in the Basmane neighborhood of İzmir which is conspicuously named Pit of Shame due to its neglected condition it analyses the discourses and practices that relate the site to shame. Although the discourse around shame has been largely mobilized by supporters of neoliberal policies to justify profit-generating projects on the site close examination reveals the emergence of different spatial practices and discursive twists on shame by ethnically and economically marginalized groups that have inhabited the site. Based on the latter the article aims to contribute to the existing literature on the relationship between space and affect by focusing on alternative mobilizations of shame towards different political ends concerning a specific spatial and historical context. Informed by both recent socio-cultural studies on the relationship between affect and the production of space and psychoanalytical and Deleuzian theories of shame it shows that how a particular affect is mobilized in relation to a specific space is far more significant than what affect is mobilized. © 2021 Elsevier B.V. All rights reserved.
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    Article
    Citation - WoS: 6
    Citation - Scopus: 6
    Digitizing Lefebvre's Spatial Triad
    (Oxford University Press, 2018) Gülsüm Baydar; Murat Komesli; Ahenk Yılmaz; Kivanç Kilinç; Kilinc, Kivanc; Yilmaz, Ahenk; Baydar, Gulsum; Komesli, Murat
    Digitizing Lefebvre's Spatial Triad is conceived as a seed project for an interdisciplinary analysis of the built environment via digital media. Two social housing projects in _Izmir are chosen as case studies as an initial step to be developed toward a potentially international digital platform. The theoretical premises of the project are based on the renowned cultural theorist Henri Lefebvre's Spatial Triad which distinguishes between representations of space representational spaces or spaces of representation and spatial practices. Following this framework the collected data are organized in three sections which are reflected in the digital interface. These are respectively titled 'implementations' which contains architectural drawings and visual recordings of interviews with the chief architect of the projects, 'perceptions' which includes related texts that are scanned from Web sites newspapers journals and conference proceedings, and 'lived experiences' which contains photographs and visual records of on-site interviews with the users of the two housing estates. Users of the digital interface are enabled access to data in each category by means of choosing one of eighty-three related keywords. The latter are derived from the digital analyses of discursive material. By enabling the comparison of the sections of spatial data for each settlement and between the two settlements the digital platform has the potential to inform decision-making processes in future social housing projects. © 2018 Elsevier B.V. All rights reserved.
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    Master Thesis
    Kimliğin mekânsal inşası: Anadolu Tahtacıları
    (2020) Güngör, Selin; Baydar, Gülsüm
    Bu tez kimlik inşası ve temsil probleminin eleştirel analizi yoluyla kimlik, yetki ve mekân arasındaki çetrefilli ilişkiyi irdeler. Çağdaş eleştirel kuram kimlik kavramını toplumsal yapılarda değişen güç ilişkilerine bağlı olarak yönlendirilen ve yeniden üretilen sosyal bir inşa olarak açıklar. Kimliğin bir hayli değişken olan yapısından dolayı kimlik temsilleri özellikle kolektif kimlikler bağlamında sorunsallaşmaya açık bir konu olarak değerlendirilir. Bu teorik çerçeve içerisinde, Anadolu'da azınlık bir topluluk olarak süregelmiş Tahtacılar'ın kimlik inşası söylemsel, kurumsal ve mekânsal bağlamlarda incelenmiştir. Bu kimliğin güncel temsilleri sorunsallaşmaya açıktır çünkü kimliğin ana unsuru olan tahta işçiliği artık bu toplumla ilişkili değildir. Bu tezin odaklandığı konu Tahtacı kimliğinin birincil kategorisi olmaksızın ne şekillerde temsil edildiğidir. Kimlik ve mekânın müşterek inşalarının analizi Batı Anadolu Tahtacıları, onların kurumsal mekânları ve bu mekânlara içkin olan temsil araçları üzerinden gerçekleştirilmiştir. Bu çalışma Tahtacı kimliğinin mekânsal inşalarını eleştirel analiz yoluyla inceleyerek, bu inşaları kolektif kimliklerin temsil sorununa ilişkin güncel kuramsal tartışmalar içinde konumlandırmayı amaçlar. Anahtar Kelimeler: mekânsal temsil, kimlik inşası, Tahtacı topluluklar
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    Article
    Citation - Scopus: 1
    Entanglements: A New Materialist Approach to an Ethnographic Gallery in the Anatolian Village of Tahtakuşlar
    (Taylor and Francis Ltd., 2023) Gülsüm Baydar; Selin Güngör; Güngör, Selin; Baydar, Gülsüm
    Tahtakuşlar is a village in South-Western Anatolia populated by a minority Alevi group called Tahtacı Turkmens. The Ethnographic Gallery there was founded by one of the residents to publicize and perpetuate the villagers’ socio-cultural heritage. The core collection of the gallery consists of typical ethnographic material which includes the founder’s family belongings from the nineteenth and early twentieth centuries. Later additions which are seemingly irrelevant to Tahtacı Turkmen identity include disparate objects ranging from radios of the 1960s and 70s to stuffed animals Shamanic objects from Native American tribes and gifts from contemporary international visitors. We argue that a New Materialist engagement with this unusual collection reveals Tahtacı Turkmen identity as an ongoing production involving the entanglement of historical and contemporary discourses and the materiality of spaces and objects. We aim to show how both Tahtacı Turkmens and ethnographic collections are liberated from their dominant identifications and re-produced in unfamiliar ways in the Ethnographic Gallery. © 2025 Elsevier B.V. All rights reserved.
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    Article
    Spatial productions of a legendary holiday village: Club Med Foça
    (Istanbul Teknik Universitesi Faculty of Architecture, 2023) Gülsüm Baydar; Meltem Ö. Gürel; Baydar, Gülsüm; Gürel, Meltem Ö.
    At the time of its appearance on the outskirts of the infrastructurally underdeveloped and culturally conservative village of Foça in 1966 Club Med was already a widely known international holiday village chain promoted as an antidote to civilization. The term legend was commonly attached to it at an international scale to refer both to its stunning localities and the atmosphere of abundance offered within its guarded boundaries. Arguably a sense of Oriental exoticism was also a source of attraction to the Western patrons of Club Med Foça. This article is based on the hypothesis that Club Med had a significant impact on the cultural environment of Foça which exemplified the porousness of spatial boundaries. Hence our aim is to surface the spatio-cultural role of the Club for both Foça residents and the Turkish population at large. Our findings reveal that for Foça residents the Club was both an economic resource and an agent of significant socio-cultural transformation. For the Turkish population it was publicized as a microcosm of Europe and offered a glimpse of a highly desirable modern culture. Generating a small town bourgeoisie of sorts in Foça Club Med introduced unprecedented forms of spaces pleasures and desires. Engaging with archival research on-site spatial analysis and oral histories we explore the mutual production of spatial and cultural boundaries in the historical context of 1960s and 70s Foça vis-à-vis Club Med. © 2023 Elsevier B.V. All rights reserved.
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    Article
    Citation - WoS: 5
    Citation - Scopus: 8
    Embodied spaces of resistance
    (PERGAMON-ELSEVIER SCIENCE LTD, 2015) Gulsum Baydar; Baydar, Gülsüm
    May 27 2013 marked the beginning of a series of nationwide public protests in Turkey which originated as a small scale sit-in at Gezi a central park in Taksim Istanbul to protest urban renewal plans for the area. Shortly their agenda broadened to cover the authoritarian policies of the Prime Minister and his Islamist government. The protests are open to interpretation and analysis at many levels ranging from economics and politics to cultural and social issues. Here I focus on the articulation of space discourse and subjectivity by looking at specific instances of the Gezi movement. Drawing from the work of critical theorists of space I argue from a Deleuzian perspective that during the protests spaces and spatial practices have been not only explicitly sexualized but also binary pairs of woman/man and private/public have been creatively deterritorialized and paved the way for alternative trajectories of political action. (C) 2015 Elsevier Ltd. All rights reserved.
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    Master Thesis
    Dijital oyunlarda toplumsal cinsiyet ve mekan: The Sims
    (2017) Zafer, Özgecan; Baydar, Gülsüm
    Dijital oyunlarda toplumsal cinsiyet kavramı ve farklı cinsel kimlikler oldukça normatif ve sterotipik bir şekilde temsil ediliyor. Oyunların da bir medya aracı olarak toplumsal cinsiyet normlarını ve beklentilerini yeniden ürettiği göz önüne alındığında, oyun mekanlarının toplumsal cinsiyet ile ilişkisinin incelenmesi önem kazanıyor. The Sims de dijital oyun tarihinin en popüler oyunlarından biri olarak, toplumsal cinsiyet normları ve sterotipik temsiller ile sosyal ve mekansal anlamda ilişkili. Oyunun yapısı mekanlar ve öznelerin birbiri ile ilişkisi prensibine dayalı ve bu oyun aslında Avrupa bebek evleri geleneğinin bir devamını, Amerikan banliyöleri bağlamında dijital olarak sürdürüyor. Oyunda mekan ve beden tanımı; stereotipik temsiller, normatif beklentiler ve kodlar üzerine kurulu. Oyun, kadın ve erkek bedenlerinin ve ilişkilerinin nasıl olması gerektiği konusunda sınırlar belirlerken, aynı zamanda bir takım kalıplaşmış kodlamaları ve ev mekanları ile ilgili sınırları da tanımlıyor. Oyuncu topluluğunun sürekli oyun geliştirme sürecini tutucu ya da özgürleştirici adımlara yönlendirdiği kadar, oyun tarafından üretilen tüketim ve toplumsal cinsiyet sınırları da oyuncuları normatif beklentiler içinde kalmaya yönlendiriyor. Bu çalışma da oyun ve oyuncu arasındaki iki yönlü ilişkiyi, mekan ve kullanıcı bazında, toplumsal olarak inşa edilmiş normlar ve sterotipler üzerinden inceliyor. Anahtar sözcükler: Toplumsal Cinsiyet, Dijital Oyunlar, Ev, The Sims
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    Master Thesis
    Dayanışma mimarlığı: Türkiye'deki katılımcı tasarım
    (2021) Tur, Ilgım; Baydar, Gülsüm
    Consumption-based economies of the 21st century have found their counterparts in architecture with mediatic projects and 'starchitect' figures. Urban transformation projects are the most visible manifestations of these developments, which support profit-oriented constructions and deepen social inequalities. Resistant, transformative, interdisciplinary, and participatory architecture groups emerged in this context in contrast to competitive, mainstream architectural practices that stimulate consumption. This thesis analyzes contemporary solidarity architecture practices in Turkey by focusing on the participant groups of the Solidarity Architecture Exhibition (2017). The aim is to reveal the potentials and means of participatory practices which operate as alternatives in the dominant economic and political system.